I am a moving image artist, interested in site specific projections on to and into buildings, working away from the screen using buildings and landscapes as canvas.
I work as an artist curator, in the public and community sector searching out meta-narratives found in social movements, history, sustainability and nature; forming linkages between things to create unusual open pathways for partnership working and commissioning.
I also work as a relational practioner to make art based on, or inspired by, human relations and their social context. I work as a facilitator seeing art as information exchanged between the artist, the co-creational participants and the viewers. Giving disenfranchised communities access to cultural power and the means to take creative action in the world.
In my moving image works I layer footage and edit or key back to reveal hidden layers in a way of painting. I use looping and repetitive actions to challenge the viewer's concept of linear time as a constant, in a way that the painting exists as a stationary action that does not have a temporal start middle or end.
My relational practice exists to enable disparate groups and circles of communities to link together in the sharing of the making of a formally composed set of actions to co-create an artwork as a collective, allowing space for personal reflection and creativity it challenges the separation and individually culture of the present, the I being separate from the other.
I am a biomimcry-ists exploring nature in a post-truth world where leading politicians dismiss climate change as politicized science. Where although humans are part of nature, human activity is understood as a separate category from other natural phenomena. I ask are the effects of global warming are pushing humans closer to the physical world of nature.

 

 


Arts council England Libraries fund commission, based on the historically important collection of bee keeping publications for the Outrider Project